Stephanie Dinkins (@stephdink) is a transdisciplinary artist interested in creating platforms for ongoing dialog about artificial intelligence as it intersects race, gender, aging and our future histories. Her art employs lens-based practices, the manipulation of space, and technology to grapple with notions of consciousness, agency, perception, and social equity. Her work has been exhibited at a broad spectrum of public, private, and institutional venues by design. These include Institute of Contemporary Art Dunaujvaros, Herning Kunstmuseum, Spellman College Museum of Fine Art, Contemporary Art Museum Houston, Wave Hill, the Studio Museum in Harlem, Spedition Bremen, and the corner of Putnam and Malcolm X Boulevard in Bedford-Stuyvesant, Brooklyn. She is the recipient of financial support from Joan Mitchell Foundation, Puffin Foundation, Trust for Mutual Understanding, Lef Foundation, and Residency Unlimited. Artist residencies include NEW INC, Blue Mountain Center; Aim Program, Bronx Museum; The Laundromat Project; Santa Fe Art Institute, Art/Omi and Center for Contemporary Art, Czech Republic. Her work has been written about in media outlets such as Art In America, The New York Times, Washington Post, and Baltimore Sun and SLEEK Magazine. She is a 2017 A Blade of Grass Fellow and a 2018 Truth Resident at Eyebeam, NY. She is an Associate Professor of Art at Stonybrook University. You can view some of her projects here.
- Dinkins, S. (2020). Community, art and the vernacular in technological ecosystems. In Proceedings of the 2020 ACM/IEEE International Conference on Human-Robot Interaction (p. 221).
- Peterson, L., & Dinkins, S. (2020). What Atlanta can teach tech about cultivating black talent. Wired.